By Lorraine Clark
Problems with the welder developed and local businessman, Gary North of Gary’s Machine Shop, was quick to appear to work on the equipment. Within a short time, he had torn the welder down, cleaned parts, and reassembled the welder. Work continued with his assistance. While the repairs were being done, Gary’s wife Chris modeled for the hands of the piece. She simulated holding a basket so the shape of the fingers would be accurate.
The Liberty Pit Mural in downtown Ely faces the Art Bank.
The cradleboard that infants were carried in was formed using drawings and actual cradleboards that local residents brought to the site. The cradleboard is approximately three feet long and will hold the head and shoulders of the infant inside.
Discussions have continued on the decorations that will be used for the detail on the dress the figure is wearing. This will be colored to look like buckskin with colorful beading. The figure’s hair will be black and her flesh will have skin tones. The figure becomes more and more realistic as work continues.
The evening of July 3rd, a fundraiser dinner and live production was held for the benefit of the Ely Renaissance Society. This event has become a traditional part of the White Pine High School Reunions held during the holiday. Many alumni return to visit with family and friends. Reunion gatherings are held allowing classmates to catch up with the lives of each other and renew old friendships.
Joe Pachak was introduced at the dinner and he shared sketches of the figure with the nearly 300 guests. The evening was capped with the live production of the Liberty Pit Mural with Master of Ceremonies Chris Harris, history teacher from Reno’s Swope Junior High School and White Pine High School graduate from the Class of 1972.
Descendants from families who originally worked in the Liberty Pit gave oral histories and showed family photos. The White Pine Community Choir presented ethnic folk songs to accompany the ethnic histories. The evening was entertaining and enjoyed by all.
July 4th was a chance for time off to celebrate the holiday and enjoy the local parade. Work resumed on the figure in the afternoon with many people stopping by to see the progress. By Friday, July 5th, the figure stood proudly against the blue Nevada sky. Hair waving in the wind and the skirt gently swaying, the figure rose majestically. Her strength and character was visible in the steel structure forming her outline.
Fine detail was added during the weekend. On Monday, July 8th, welding was nearing completion. Wire brushing continued with attention to remove all traces of scale and rust.
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